While archaeologists are great at identifying artifacts that we recover, we occasionally find objects that are a mystery. Even on campus, we sometimes find intriguing objects in our excavations that take some investigative work to identify. One group of objects that has piqued our interest …
Whenever we at CAP come across an interesting artifact, it sparks the inevitable, if inelegant question, “what was this thing doing on our campus?” It’s a simple question, but I’ve often found as I delve into researching an artifact that the journey of that object …
During this semester, I have been working through some of the decorated ceramics that were found in the Gunson assemblage (Find more information about the excavation here). Working toward the goal of generating a better picture of what types of vessels were found and the number of different stylistic types, I have been working on refitting the many decorated sherds that were found in this particular assemblage. Finally, I am nearing the end and am ready to present some of the results. But first, a bit of background.
Excavated in the summer of 2015 by a Campus Archaeology field school, this assemblage is one of the largest that CAP has ever excavated. Thousands of artifacts were found, ranging from ceramics to glassware, building materials, lab equipment, and a number of more personal items. Dating to the 1890’s thru the 1920’s, this assemblage is likely associated with the home of Thomas Gunson and his family, who lived on campus near this location. Of the many ceramic sherds recovered, most were plain whitewares, but some were decorated in many ways. A number of sherds had the thin green bands typical of industrial wares. Other, more delicate pieces, were plain whitewares with embossed rims or were whiteware or porcelain dishes with various colorful decorative motifs. For this project, I focused only those sherds with colorful decorative motifs.
Between the 100-200 sherds examined for this project, 56 different decorative designs were present. Few designs were repeated on more than one dish. While many different designs were represented, they fit into only a few different general categories. The vast majority of designs consisted of various types of floral patterns, while a few vessels contained geometric motifs, different everyday scenes, or were abstract designs formed by blocks or bands of color. These different designs were executed in a myriad of colors. While many were common blue-on-white or grey-on-white color schemes, many were multicolored, including tones of green, pink, yellow, blue, red, orange, or even black. Many dishes also had gold leaf/gilding present, either composing the entire design or as an accent on the edge of the vessel’s rim.
Of the many vessels represented in this assemblage, the vast majority were teacups, saucers, small plates, or fragments of serving dishes. Only a couple of the plates are large enough to be considered dinner plates. Based on their decorations, sizes, and vessel types, these dishes were clearly meant for entertaining, functioning as serving wares for drinks and light refreshments. In this context, they also would have been the dishes most likely to be broken.
In doing some archival research into Gunson’s background, it became a little clearer as to why his family may have owned and used so many different dishes for entertaining. Over his nearly 5 decades of service at MSU, Thomas Gunson, or “Uncle Tommy” as students would often call him, was a beloved part of campus life and frequently engaged with students, alumni, and local residents. According to small articles written about him in the M.A.C. Record, he was an outgoing individual with a flair for fashion and life, enjoying his time with students and others on campus. He was typically very well dressed, and his family home served as “a cosmopolitan haven for undergraduates and graduates alike” (M.A.C. Record vol. 46, no. 2, 1941). He was so well liked that he was considered by many to be a campus institution and returning alumni would often seek him out in order to reconnect with one of their favorite faculty members. As such a gregarious and fashionable man, it is not surprising that his home would be stocked with quality ceramics for entertaining his many visitors, with an emphasis on tea or other drinks that could be served during short social calls. If only, on a chilly day like this, we could go back in time and join Uncle Tommy for a cup of tea.
Author: Jeff Painter
1941 “Thomas Gunson, 1858-1940”. Vol. 46, no. 2, January.
At Campus Archaeology, we often encounter laboratory glassware in contexts such as the veterinary and botanical laboratories, excavations near lab row, and even the Gunson assemblage. This is not surprising, as MSU has a long history of scientific research. However, the presence of lab glass …
On university campuses, all sorts of different items are present. One type of item that is commonly found but under-utilized are industrial ceramics. Also known as hotel wares, hotel china, or restaurant china, these ceramics are designed to be extremely tough and cheap, perfect for …
Over the summer, we found some yellow-green bumpy glass within the Gunson collection. It was a unique color that didn’t fit with the normal range of aqua, clear, green and brown glass, and appeared to be in a form that was nicer- like a vase or drinking glass. It also had an odd raised pattern that we hadn’t seen before.
That’s when we pulled out the black light and discovered it glowed! We had found our first sample of Uranium Glass on campus.
Uranium glass, also known as vaseline glass due to its color, is glass that has uranium added to the mixture during the molten period when color is added. The amount of uranium can range from 2-20%, and can vary in color from yellow to yellow green or even avocado coloring. Due to the presence of uranium oxide in the glass, the glass will glow a bright green color when put under a black light- this is the best way to identify it. While uranium is radioactive, it isn’t actually bad to drink or enjoy food in the glassware that uses this. The amounts that leach out of the glass is so tiny, that it won’t have an effect on you.
Vaseline glass became popular during the mid-19th century, and was at its height of popularity from the 1880s to 1920s. Uranium oxide was first used as a coloring agent in the 1830s, and spread throughout Europe during the 1840s. It was produced by a variety of companies, who specialized in different tones of greens and yellows. Each company had unique names for their specific color of uranium glass, including citron, jasmine, golden green, mustard, Florentine and more. During the Depression, iron oxide was added to the glass to increase its green glow- although antique collecting purists argue that this shouldn’t be included in true uranium glass collections. The glass was formed into a variety of decorative and practical dinnerware pieces including cups, bowls, plates, vases, figurines, paperweights and more.
In 1943, production of vaseline glass was stopped due to the implementation of heavy regulations on the use of uranium. It wasn’t until 1958 that uranium was deregulated and the production of vaseline glass resumed, this time using depleted uranium instead. While still radioactive, depleted uranium only emits alpha particles–which have a difficult time penetrating human skin–and thus is not considered a substantial health risk unless ingested. For this reason, glass produced with depleted uranium is now rarely used to create dinnerware.
At the Gunson/Admin site, our uranium glass included a piece of golden green hobnail glass. Hobnail glass is a specific pattern of decoration where bumps of glass are added to the exterior or interior of the glass to produce a raised pattern. While these were most popular during the 1940s and 1950s, they came into production during the Victorian period. Our uranium glass is a unique piece of history, and is just plain cool. The glowing glass is something that today we may view as strange- who would ever want to drink out of a glass colored with a radioactive material- but in the past was a unique collectible. You can still find examples of uranium glass today in antique shops, but buyer beware. There are fake vaseline glass products that have the neon green coloring but do not glow under a black light. Unless it glows, it isn’t real uranium glass!
Author: Katy Meyers Emery
Updated 12/16/2022 (Akey): Removed wording that implied depleted uranium was non-radioactive. Added new source (EPA link).
Antique Vaseline Glass. Collector’s Weekly. http://www.collectorsweekly.com/glassware/vaseline-glass
These People Love to Collect Radioactive Glass. Are They Nuts? Collector’s Weekly. http://www.collectorsweekly.com/articles/these-people-love-to-collect-radioactive-glass/
Uranium Glass. Wikipedia. https://en.wikipedia.org/wiki/Uranium_glass
The undergraduate volunteers and I are slowly but surely cataloging our way through the Gunson Assemblage. So far we’ve finished Unit A, and are about 75% complete on Unit D. Over the past few months we’ve discussed many of the fun and interesting items we’ve …
This past week, Lisa, the Campus Archaeologist, discovered fragment of two different beer bottles in the assemblage excavated from the remains of Professor Thomas Gunson’s household. The embossed words “PH Kling” appear on both fragments, although in different fonts, and an internet search quickly brought …
The Gunson/Admin assemblage continues to reveal gendered historical items linked to early females on campus. Most recently, Lisa Bright alerted me to the presence of a glass nail polish bottle stopper in the collection.
Luckily, the logo remains intact and, after some Googling, it was determined to be manufactured by the Dr. J. Parker Pray Company (established 1868). The New York City based company specialized in manicure and medicinal goods. Dr. Parker Pray began his career as a chiropodist, a hand and foot doctor, before transitioning into selling ladies’ cosmetic products.
In 1874, Dr. Parker Pray met Mary E. Cobb who had moved to New York City following the end of the Civil War. The two married that same year and Mary allegedly went to France shortly after to be trained in the techniques of manicure (1). Although Mary learned the traditional French manicure method, American women at the time did not greatly desire the French style. In 1878, she opened Mrs. Pray’s Manicure shop in New York City where she practiced a revised process of manicure that modern women are familiar with today (2). By all accounts, the shop and manufacturing businesses were wildly successful and the Prays are even credited with the invention of the emory board.
After the couple divorced in 1884, Mary returned to her maiden name and invested her energy into the expansion of her business through mail order and increased retail exposure (1). Mary even began to train women in the manicurist trade so that they could secure independent income. By 1900, Mary was in charge of one of the largest female-owned business operations in the world (as well as the largest manufacturer of pink and red nail polish) (1).
Boxes containing the polish were sold for 25 and 50 cents (3). While the bottle has not yet been found in the assemblage, just the discovery of the top is pretty cool! I was not able to secure dates (besides post-1868), but if the bottle is recovered we may be able to determine better manufacturing dates. If only Mary Cobb could have seen the variety of polish colors worn by women on campus today!
Author: Amy Michael
Collecting souvenirs is not a modern phenomenon. Travelers have been collecting memorabilia of their adventures for centuries- bringing home with them evidence of the amazing sights and curiosities from far away places. They serve as an integral part of the travel experience for the tourist …