Tag: ceramics

Let’s Get Trashed! A Comparison of the Saint’s Rest Dorm, Privy, and Trash Pit.

Let’s Get Trashed! A Comparison of the Saint’s Rest Dorm, Privy, and Trash Pit.

Archaeologists care a lot about garbage. We can learn a great deal from looking through what people throw out, how much they throw out, and when they throw it out. Because trash is the byproduct of what humans consume and use in their daily lives, 

Aren’t Bowls Just Bowls?  Not for the First Students at MSU

Aren’t Bowls Just Bowls? Not for the First Students at MSU

As part of my on-going research project for Campus Archaeology, I have been focusing so far on the dinner wares from the early period of the campus (1855-1870).  These dishes, which come in many shapes and sizes, have greatly informed our understanding of meal times 

Rim Diameter for President!: An Archaeological Distraction for Your Anxious Election Day

Rim Diameter for President!: An Archaeological Distraction for Your Anxious Election Day

Hopefully, like me, you have already voted today and are awaiting the results.  While we all wait anxiously to hear what the next four years will be like, let me distract you with some good, old fashioned archaeology.  In my last blog post, “Let’s Dine Like it’s 1872!,” I explored archival evidence for a diverse set of college-owned dinner wares within the Saint’s Rest boarding hall, signaling that the college at this time followed the Victorian ideal of mealtime as one of education and conspicuous presentation.  Since that time, we in the Campus Archaeology lab have been classifying and measuring dinner wares from the Early Period (1855-1870) of campus that were recovered through various archaeological excavations.  What we have found matches quite closely with the information seen in the archival documents, but also presents us with aspects that were left out.

"Berlin Swirl" pattern plate. We have this pattern produced by two manufacturers. Photo source: Lisa Bright
“Berlin Swirl” pattern plate. We have this pattern produced by two manufacturers. Photo source: Lisa Bright

For this work, we have been identifying specific vessels, which were then analyzed for a number of characteristics.  While this work is still underway, we do have some preliminary results to share.  During this time, most of the college-owned vessels were white ironstone dishes, which were much cheaper alternatives to the fancier, porcelain dish sets so popular with the upper class.  While these dishes were not colorful, many of them have different embossed designs on the rim, such as the Berlin Swirl pattern, a wheat pattern, or a scalloped decagonal pattern.  A few were plain white dishes with no designs at all.  Many of these dishes have maker’s marks, all coming from pottery manufacturers over in England, such as Davenport, J. and G. Meakin, Liddle Eliot and Sons, and Wedgewood.

"Wheat Pattern" plate produced by J.&G Meakin. Photo source : Lisa Bright
“Wheat Pattern” plate produced by J.&G Meakin. Photo source : Lisa Bright
"Fig Pattern" plate produced by Wedgwood. Image source: Lisa Bright
“Fig Pattern” plate produced by Wedgwood. Photo source: Lisa Bright

Thanks to further archival research done by CAP fellow Autumn Beyer, we can presume that these different designs do not represent different functional sets owned by the college, such as dinner sets, tea sets, or lunch sets, but instead represent different purchasing episodes.  In the purchasing records from MSU in 1862, we have evidence that the college did not buy all of their dishes at one time, but were buying a small number of them each month (MSU Archives: Kuhn Collection Volume 91-Agricultural Boarding Hall).  As the student population grew and as dishes broke, the college needed to acquire more, possibly buying them from different grocers.  This might be why different dish patterns are represented, as different grocers could have had different selections.  The stock of the grocers may also have changed based on the availability of different imported dishes and what was popular for that year, so it may have been difficult for the college to buy replacement dishes that matched their original set.

Small "Scalloped Decagonal" bowl produced by Davenport. Image source: Lisa Bright
Small “Scalloped Decagonal” bowl produced by Davenport. Photo source: Lisa Bright

Rim diameter and vessel height data also provide further evidence that a number of different vessel types and sizes were present.  Among the plates, at least four sizes were represented.  While there is some minor variation due to refitting, incompleteness, and different manufactures, plates tend to group around a 6.5 inch diameter small plate, a 7.5 inch medium plate, a 9.5 inch large plate, and an 11 inch very large plate or small platter.  Two diameters of bowls were present, small bowls that were only 5.5 inches in diameter or smaller and larger bowls with diameters around 9.5 inches.  These bowls also had different depths. Of the large bowls, some had depths of 1.5 inches while others had depths of 2 inches, suggesting that these bowls had different functions.  The small bowls all tended to be shallower, with depths of around 1 inch.  Besides bowls and plates, other dishes represented include saucers, handle-less cups, deep casserole-like dishes, and other serving dishes that were more fragmented and difficult to identify.  While different styles of cups and saucers were represented, all of them tended to be the same shape and size, only differing in their embossed designs.

"Scalloped Decagonal" serving dish. Most likely made by Davenport but no makers mark present. Image source: Lisa Bright
“Scalloped Decagonal” serving dish. Most likely made by Davenport but no makers mark present. Photo source: Lisa Bright

This archaeological data further corroborates the information found in archival documents and demonstrates the power of using these tools in tandem.  When only archival resources were used, it was clear that the college owned a number of dishes of various types that were used as dinner ware, a dining style typical of wealthier Victorian Era families.  What these sources did not make clear was the type of dishes that were used.  Were they expensive porcelain dishes or cheaper ironstone?  Were they plain dishes or decorated with elaborate glazes or painted designs?  Archaeological data, on the other hand, can tell us more about the types of dishes used, how cheaply they could be purchased, and what they looked like, but it cannot inform us about the total amounts of dishes and dish types that were present, or how the college went about procuring these items.  Together, the use of both archival and archaeological information helps to paint a more complete image of what life was like for the first students that attended MSU.  Dining was a much more elaborate affair than it is now, involving the use of numerous specialized dishes that were meant to educate students about proper behavior and to demonstrate their middle-class status.  MSU, despite not having great amounts of money, must have believed this practice to be important for the well-being and education of the students; therefore, they invested hundreds of dollars into buying cheaper versions of these dishes.  Based on the great variety of designs present, the college must have had a difficult time finding dishes that matched when it came time to replace or expand the number of dishes.  Overall, by combining these two types of data, it can allow archaeologists to create a more accurate and life-like vison of the past, one where the anger of those who had to replace broken dishes and could not find the same type of designs can reverberate through history.

Author: Jeff Painter

References:

MSU Archives & Historical Collections: Kuhn Collection Volume 91. Agricultural boarding hall.

Let’s Dine Like It’s 1872!

Let’s Dine Like It’s 1872!

Dining as a student is not quite as classy as it used to be.  In today’s fast paced world, many meals for students are enjoyed on the run or in front of the TV, while others take theirs on a tray in a cafeteria full 

The Homer Laughlin China Company

The Homer Laughlin China Company

We’ve been chugging through cataloging the artifacts from the Admin/Gunson assemblage this semester. We should finish unit A sometime next week. This may seem like slow going, but to say that the artifacts are plentiful would be an understatement (6,951 thus far in Unit A 

It’s a Brick . . . Outhouse

It’s a Brick . . . Outhouse

The summer field season has continued to be busy. Last Monday, while making our routine monitoring rounds of the North Campus Infrastructure Improvements construction site we noticed a concentration of bricks and dark soil near the Museum. As previously mentioned, the first week of the season we located the partial foundation of Williams Hall near the museum, so a find in this area wasn’t surprising. However, what this new site ended up being surprised us all.

Monday afternoon was spent locating the limits of the brick concentration. Consulting some of the overlay maps, we hypothesized that this may be part of the northern portion of the old Engineering Shop. But it didn’t match quite up well enough to the engineering shop on the maps. Upon further reflection the shape of the structure (a 2 meter by 2 meter square) with close proximity to Saint’s Rest and concentrations of extremely dark soil lead us to one conclusion, that this was most likely a privy. This is the first historic privy that CAP has located.

Bottom of Level 1, West Circle Privy
Bottom of Level 1, West Circle Privy

Privy’s are always extremely exciting finds because they inevitably contain large quantities of artifacts. Throughout the life of a privy, objects are both inadvertently dropped into the holding tank, and intentionally deposited as a means of disposal. They also tend to be very intact because even after it is decommissioned it is avoided because no one wishes to disturb its contents. This privy did not disappoint in terms of artifact quantity and quality.

The top of the foundation has only been mildly disturbed by the construction. We worked to first expose all four walls of the privy before excavating the center, and east/west extensions. Once the ruble layer had been removed, a large night soil layer was encountered. Night soil is a polite term for the remnants of human waste that collects inside privies (and other areas). It is a very dark black making is easily distinguishable from the surrounding soil, and only slightly stinky. (We were later told by the Field School that they could smell us approaching for lunch)

Part of the large porcelain doll
Part of the large porcelain doll

Violin Flask Cologne Bottle
Violin Flask Cologne Bottle

The night soil layer produced an incredible amount of artifacts for such a small area. Some of what we uncovered includes whole plates, drinking tumblers, intact bottles, eggshell, a large quantity of fish bones, and two porcelain dolls (one large, and one small). Preliminary research indicates that this deposit is likely from the mid to late 1800’s, with everything examined thus far dating pre 1890. This is an incredible find and we look forward to analyzing the collection and reporting on it as we move forward.

Excavation Crew in Completed Privy
Excavation Crew in Completed Privy

Author: Lisa Bright

Dating a Site (With Milk Bottles)

Dating a Site (With Milk Bottles)

With only one week until the CAP 2015 Field School begins, where we’ll be digging behind the Hannah Admin Building, we came across one more means in which to narrow down the date of the Admin Assemblage. Getting an idea of how old a site 

Gunson House / Bayha Home Management House

Gunson House / Bayha Home Management House

One of the bigger question surrounding the Hannah Admin building assemblage is, “Where in this area could these high quality ceramics have come from?”. They’re nicer than what would have been found in typical student areas, the site is south of faculty row, and they 

Ceramic Decorations from The Admin Building

Ceramic Decorations from The Admin Building

This semester I have been working on analyzing the materials found near the Administration building on campus. This is an interesting assemblage because we have such a large range of materials. We have whiteware, porcelain, stoneware, yellow-ware, glass of all types and metal. Within the ceramics, we even have a wide range of decoration techniques including hand-painting, transfer print, flow blue, decals, gilding, edging and more. Given that the assemblage itself isn’t very large, it is an impressive range of artifacts that may be able to reveal some of MSU’s secrets. Here is a part of the analysis of the decorations and how it might help us better date this collection.

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Flow Blue Decoration, Photo by Meyers Emery

Flow Blue

Flow Blue is a style of pattern found on white refined earthenware that originated during the 1820s in Staffordshire, England. The name “Flow Blue” was given to this pattern because of the way that the blue glaze blurs during the firing process. The pattern was very popular in America, but it only began being produced in the states in 1875. The pattern of the Flow Blue ceramics changes with popularity over time, and due to this we can more accurately date its use. During the 1830s, romantic landscapes were the most popular, and after 1850, the Willow pattern is the most common. After the 1870s, Japanese landscapes and styles gained popularity, and floral patterns were popularity from the 1860s to the early 20th century.

The pattern we have here is a floral flow blue pattern with a lightly scalloped edge. It was likely a plate or shallow bowl based on the curvature. Sadly we only have one small fragment of the piece so it is difficult to identify the specific pattern, and there is no maker’s mark to help determine manufacturer. Based on patterning, this piece likely dates between 1870 and 1920.

Decal Decoration, Photo by Meyers Emery
Decal Decoration, Photo by Meyers Emery

Decal

Decals were first introduced onto ceramics in 1890 as an easy and colorful form of decoration. It remained popular throughout the 1930s and continues to be used today. The decal is made up of three layers: the color or image which comprises the decorative design, a clear protective layer, and the backing paper on which the design is printed on by using lithography. Unlike Flow Blue techniques, decals have multiple bright colors and crisp lines between them. Americans were unable to produce their own decals until the 1930s, so they relied on imported ceramics or imported decals, and were unable to procure many before the 1900s.

The floral decoration this this ceramic sherd is a clear decal. Not only does it have crisp clear lines and colors, but if you rub your finger lightly over the image you can feel the edges of the decal. Given the availability and popularity of decals in the states, this piece likely dates between 1890 and 1930.

Cobalt Oxide Decoration, Photo by Meyers Emery
Cobalt Oxide Decoration, Photo by Meyers Emery

Hand-Painting with Cobalt Oxide

Stoneware crocks are a popular item for household use during the 19th century in North America, and can still be easily found in antique shops around the country. Stoneware pottery is easy to make in the states, can stand up to daily life and abuse, and isn’t porous like earthenwares. This specific piece can easily be identified by its salt-glaze; a glossy, translucent and orange peel like texture formed by throwing salt into the kiln during the firing process. In between firings, cobalt oxide would be applied to the pot to form bright blue decorations in a variety of hand-drawn shapes. Decorations range from flowers to animals, sprigs of leaves to quotations, name of the owners to birds.

This particular piece appears to either be some kind of flower- a calla lily or tulip perhaps, or if looked at from another angle, could be a bell with ribbon. Since these pieces were used over a long time period and decorations were personal rather than changing with fashion, it is difficult to assign this piece a date. The best we can say is that it was likely used during the 19th century and may have been kept beyond that date.

 

Author: Katy Meyers Emery

Makers Marks from the Admin Assemblage

Makers Marks from the Admin Assemblage

For the past few weeks the Campus Archaeology fellows completed washing the artifacts recovered from a possible trash pit along the Red Cedar River near the Administration Building and have begun sorting and analyzing the assemblage. This was a particularly exciting find due to its