Tag: outreach

Apparitions & Archaeology: the Return of the Haunted Campus Tour

Apparitions & Archaeology: the Return of the Haunted Campus Tour

Happy October y’all! We are happy to announce that we will be once again hosting our Haunted Tour event following last year’s hiatus. While we may have missed last year, 2024 represents the tenth anniversary of Apparitions & Archaeology, a long lasting collaboration between the 

To MSU and Beyond: Sharing Excavation Findings using KnightLab StoryMapJS

To MSU and Beyond: Sharing Excavation Findings using KnightLab StoryMapJS

This academic year has allowed me to explore several digital methods I had little to no knowledge about. This is partially due to my teaching position at MSU in the Lab for the Education and Advancement in Digital Research (LEADR). While in this position, I 

Getting ‘Ghosted’: Calamitous Clay Creations from the Outré Outhouse

Getting ‘Ghosted’: Calamitous Clay Creations from the Outré Outhouse

During archaeological excavations, some of the most ubiquitous artifacts unearthed are ceramic sherds that were once part of bowls, plates, vases, or other decorative pieces. It is relatively easy to appreciate the skills and techniques that go into the creation of meticulously crafted ceramic vessels. Even in the cases of plainer wares whose value comes from their utilitarian style, there is still an immense amount of training and proficiency required by the individual at the potter’s wheel.

Variety of decorated ceramic sherds from Gunson site.
A variety of decorated ceramic sherds from Gunson site (also excavated in 2015) showing some of the more stylistic and detailed artifacts typically found in historical archaeological excavations and on MSU’s campus. Photo by Jeff Painter (https://campusarch.msu.edu/?p=5002).

The CAP archaeological collections contain thousands of ceramic sherds that exhibit exquisite designs, motifs, and the utmost finesse in their creation. Within these assemblages are fragments from a few terracotta flowerpots that absolutely do not display any of these characteristics. AT ALL. WHATSOEVER. In fact, these vessels look like they had the “help” of Patrick Swayze as they were on the potter’s wheel, all the while “Unchained Melody” by The Righteous Brothers crooned in the background. In other words, these flowerpots look like they got “Ghosted”. Although this description may sound disparaging, it is truly not intended to be as such. In fact, it is the belief of the author that this flowerpot fiasco, this terracotta transgression, this clay catastrophe, this misshapen malady of moistened minerals (I have more) actually brings the human aspect back into the cultural and historical significance of these forgotten faux pas.

These flowerpot fragments were found during the 2015 excavation of the Saints’ Rest privy, the outhouse associated with the first dorm on campus that burned down in 1876. Based on other artifacts found within the privy, it is obvious that it was used as a convenient disposal area for unwanted or broken items, most of which date to the mid-late 19th century (see numerous other blogs on the CAP website discussing the privy finds). It appears that this was the same fate that befell the terracotta flowerpots discussed here, and one in particular. It is unknown whether they were dropped down the privy because of cracks in the vessel walls, or possibly due to disappointment in how they came out of the kiln. However, their presence in the undisturbed midnight soil meant that one of the vessels could be fully reconstructed by the author.

3D model of the flowerpot created by the author, Jack A. Biggs using Agisoft Metashape. You can also access the model on the Sketchfab website by clicking here.

While most flowerpots have straight walls that terminate at the rim, the one seen in the 3D model above clearly bulges near the base, giving it a somewhat lumpy appearance. The bulging indicates that the pot started to collapse while the clay was still wet. Wide and spiraling grooves about the width of a finger can be seen on the internal surface. These grooves probably occurred as the potter tried to pull the clay upwards to both widen the pot and make it taller, but accidentally applied too much force. As a result, the walls near the base became too thin and weak to support the weight of the thicker and wetter clay above. In other words, this sad vessel was doomed to collapse.

Compounding the weakened walls are two areas just above the bulges where the walls are slightly pinched in. These are located roughly on opposite sides of the pot from one another. This suggests that the pot was stuck to the bat (the spinning disc where the clay is thrown) and the potter grabbed it with a little too much force to remove it. Subsequently, indentations were formed with their thumb and another finger on opposite sides of the pot. It is also equally possible that grabbing the pot off the bat caused the bulging in the walls. The already weakened walls near the base were on the brink of collapse, but the catalyst for their failure may have occurred as it was removed too forcefully from the bat.

Screenshots of the flowerpot 3D model. The image on the left shows the external surface of the pot with the bulging wall (indicated by the blue arc) and the indentation just above it (indicated by the red arc). The right image shows the internal aspect of the pot with the indentation just above the red arc. Also notice the spiral grooves on the internal aspect near the base that weakened the overall structure.

Other interesting aspects of this flowerpot are the presence of thumb- or fingerprints as well as (likely) unintentional textures made by the wet hands of the potter that were still covered in sticky clay. This could have been made in the process of removing the pot from the bat or placing it on a shelf to dry. However, as these marks are not all over the pot, it is clear that they were not intentional and could have easily been smoothed off. It is in the author’s honest opinion that after the collapse of the walls, the potter probably saw these fingerprints and other marks and thought “I’m too angry to care about making it look pretty at this point…”

Smudges and fingerprints left over by the potter. The left image shows where hands wet with sticky clay left behind slightly raised lines. The right image shows where the potter grabbed or attempted to smooth an area, only to leave behind striations from their finger- or thumbprints.

Lastly, and despite the numerous ‘unintentional traits’, the rim of the flowerpot has decorative grooves and is smoothed and rounded off. This was likely done in the ‘leather hard’ stage where the clay is still wet so that it can be sculpted, but dry and sturdy enough that it will not collapse (any further). Although not perfect and following the narrative the author is unjustifiably weaving, these finishing touches suggest that maybe the potter had an emotional cooling off period while it was drying. Perhaps they decided to finish and take pride in their work despite the flaws that almost made them want to throw the collapsing pot on the studio floor.

Screenshot of the flowerpot 3D model showing the decorative grooves and smoothed rim.

There is no way of knowing who the individual was that made this flowerpot, but they clearly left their mark. Many of the artifacts we find in archaeological digs so rarely have such a personal touch to them. Artifacts on display at museums generally represent the pinnacle of artistic achievement, unmatched skill, or the finalized and perfected form of an object. The “mistakes” and “works in progress” do not usually receive the spotlight.

It is very unlikely that this flowerpot was ever sold or even given as a gift (unless it was to a family member…a very close family member who loved it because of who made it…not necessarily because of the way it looked…). This means it was possibly used by the actual person who made it, specifically because it looked “Ghosted” (i.e. no one else would probably want it). Accompanying this misshapen flowerpot are the emotions that the potter could have felt had while making it. They may have been just learning how to work with clay, so this vessel represented the exploration of a new hobby and the joy of being able to create something. Conversely, it may represent anger and frustration as they saw their hard work begin to collapse in front of their eyes. The author can also confirm that both these emotions occur simultaneously as a very similar scenario played out when they took a beginner’s ceramic class many years ago. Whatever the case, this frumpy little flowerpot has a much more human connection than the vast majority of the artifacts in the CAP collections. This is especially true because it has the literal fingerprints of its creator on it.

While this misshapen goblin of a flowerpot might not have the sophisticated execution compared to some of the more artisanal examples in the CAP collections, it undoubtedly has much more personality. Its life history can be more readily interpreted since its flaws are closely connected to the emotions its maker likely felt. Whatever the reason for being unceremoniously placed (or perhaps ritually deposited) in their final resting place, these ceramics with spunk bring a fun and more easily understood human component to the cultural history of Michigan State University.

Walking Through MSU’s Culinary Past

Walking Through MSU’s Culinary Past

When COVID hit our campus, CAP was forced to rethink how we perform our community outreach. We needed new, innovative ways to engage and educate the public without requiring them to meet in large groups. One of the ways we did this was to transition 

Looking to Have a Good Twine? Get Ready for Our New Choose-Your-Own-Adventure Archaeology Twine!

Looking to Have a Good Twine? Get Ready for Our New Choose-Your-Own-Adventure Archaeology Twine!

Here at Campus Archaeology, we love outreach – just this past week, we presented at both Michigan Archaeology Day and at our annual Apparitions and Archaeology Tour! (Thank you to those who stopped by!) We love outreach so much because we are passionate about archaeology 

Looking Back, Looking Forward

Looking Back, Looking Forward

Dr. Camp looking out at an archaeological site on MSU's campus wearing a hard hat and yellow vest.
Dr. Camp, Director of the MSU Campus Archaeology Program, photographed by Nick Schrader, IPF Visual Communications Manager. ©Nick Schrader, All Rights Reserved

Greetings!

For those of you just joining our blog for the first time, I am Dr. Camp, the Director of the MSU Campus Archaeology Program (CAP). I am entering my 5th year here at MSU, and my 13th teaching as a tenure track faculty member at a land grant university.

This past year and a half has been one filled with anxiety and challenges. We mourn all of the people lost to COVID and the substantial impact it has had on our lives.

While most of our campus was remote up until August 2021, CAP worked on construction projects during the pandemic to ensure the university remained in compliance with federal and state guidelines concerning below ground heritage.

We never stopped working.

In fact, this past year was one of the busiest for our program due to taking on a federal compliance project that involved campus, city, state, federal, and tribal agencies. We learned how to go through the Section 106 process with the aid of many on and off campus partners. This included assessing, mitigating, and monitoring the construction of a substantial bike pathway that transverses much of our beautiful campus. Our CAP fellows and staff spent the summer overseeing the project, laboring in the heat with masks on to keep each other safe.

The MSU Campus Archaeology Program (CAP) staff conducting shovel tests along the Red Cedar River as part of the Red Cedar Greenway bike path project, May 2021.

We also oversaw a substantial construction project at the beginning of the pandemic back in May 2020. The project lasted through August 2020. This project has resulted in several forthcoming publications and multiple public (online/remote) talks about our findings at conferences and at the MSU Science Festival in the spring of 2021. Artifacts from this construction site, which is located on Service Road, reveal campus life during the 1940s, 1950s, and early 1960s.

Children’s toys recovered by the MSU Campus Archaeology Program during the summer 2020 Service Road construction project.
A) Yellow plastic toy microscope; B) Celluloid squeaker doll likely made between 1940 and 1947 by the Irwin Corporation of New Hampshire; and C) Yellow plastic toy car likely manufactured by the Renwal Manufacturing Company dating from the 1940s to the mid-1950s.
Photographs taken by Autumn Painter, Campus Archaeologist from 2018 through the summer of 2020.

We oversaw a smaller, but equally important construction project involving the area known as Spartan Village, which is most recently used to house graduate students. Part of that property has been converted to build a new TechSmith building. After conducting substantial historical research on the property, we conducted a geophysical survey with the assistance of MSU alumni Dr. Duane Quates in the fall of 2020. We used Dr. Quates’ data to help inform test excavations on the site later during the 2020-2021 academic year. We monitored construction on the site this summer (2021), which revealed numerous artifacts and building foundations.

The MSU Campus Archaeology Program staff working at Spartan Village, the new location of TechSmith’s building. Summer 2021. Photographed by Nick Schrader, IPF Visual Communications Manager. ©Nick Schrader, All Rights Reserved

We also continue to be involved in tree plantings on campus to ensure dirt removed as part of their planting is screened for artifacts.

The MSU Campus Archaeology Program monitors tree plantings to ensure archaeological sites and artifacts are not disturbed.

We moved much of our traditionally in-person outreach to online formats, including a new digital tour of MSU’s historic Faculty Row and our annual Apparitions and Archaeology Haunted Tour.

Though our mission will remains clear – to protect and mitigate below ground resources on MSU’s campus while training students in archaeological research and public history – this year has also given us time and space to reflect upon what we have accomplished and what we would like to do for our community in the coming years. As we discussed in our blog last summer, we are working towards sharing more about the diverse communities who have lived and work on campus.

We have committed towards working closely with communities we have yet to serve in our surrounding region, but much of this work is on pause until we feel it is safe to do so. And while we have fallen short of some of our ambitious goals for this past year due to the burnt out, stress, and exhaustion that comes with living and working through a pandemic, we intend to keep them at the forefront of our planning for the coming years. We wish to work with the many communities who have resided on and owned MSU’s land and plan to develop policies that ensure proper consultation during construction projects.

I want to conclude by thanking all of our CAP staff and fellows for working so hard and learning to quickly adapt to in-flux new protocols during the COVID-19 pandemic. I also want to thank the many staff with whom we have worked this past year+ of a pandemic. I also want to thank the undergraduates who helped us this summer with cataloging amid still very stressful times. We appreciate the ongoing support for CAP.

Cache us outside

Cache us outside

Campus Archaeology (CAP) has always been heavily centered around community engagement. We have several standing outreach events that we participate in every year, such as our annual Apparitions and Archaeology Haunted Campus Tour, Grandparents University, various public-school events, and Archaeology Day at the Michigan History 

Check Out “A Tour of MSU’s Historic Faculty Row,” Now Live!

Check Out “A Tour of MSU’s Historic Faculty Row,” Now Live!

Even during a quarantine, archaeology does not stop. While we have not been able to get out into the field until recently, we at CAP have been working hard to create historical background summaries of areas that will be impacted by construction (a critical part 

World Anthropology Day 2020!

World Anthropology Day 2020!

To celebrate world anthropology day, the current CAP graduate fellows wanted to share how they became interested in anthropology, and some current or favorite projects they are involved in!

Grace: As a first-year PhD student moving to a new state and school, I initially came to CAP to move out of my comfort zone and get to know my own field a little better. I came in with no experience in archaeology and very little exposure to anthropology so CAP presented itself as a way I could learn more about the field in an applied manner.  As was mentioned in my blog post from earlier this month, I was drawn to the focus on outreach and education that CAP emphasizes. Coming from a background in education and youth studies, I have always been very passionate about working with youth and community-engaged research practices. Outreach events such as the haunted tour have proven to be a fantastic example of how to get young people interested in research and the sciences.

This semester, CAP fellow Benjamin Akey and I have conducted research to highlight unsung voices from MSU’s graduate student body. Our particular focus is on the history of the Asian pacific American Graduate Alliance (APAGA) which has been a place of professional and social support for the Asian, Pacific Islander, and Desi American community. The initial idea came from our archival research on the history of the graduate school which showed us that there has been very few records kept that highlight Asian American voices. This semester we look forward to doing what we can to add to supplement the overlooked parts of MSU’s history through an oral history project in collaboration with APAGA founders as well as the MSU Archives. Because I was not well versed in archaeological research methods, the openness that CAP has to diverse forms of research came as a pleasant surprise. As an organization that values community, I think that our current project will serve to bolster community interest in the role that various forms of archaeology can play in recording underrepresented histories.

Ben: While I had taken the opportunity to start taking anthropology courses at my local community college during high school, my fascination with archaeology began the summer after I graduated—on a field school in the rural highlands of Ecuador. I had come intending to focus on the ethnographic components of the field school, but quickly found myself enamored with the pace and physicality of archaeological fieldwork, and gained a new appreciation for how the materiality of the past could be integrated into critical and community-engaged scholarship. While other crews were assigned to Incan fortress sites, I spent the majority of my time helping a PhD Candidate who was interested in studying changing land-use and ownership patterns following the establishment of the Spanish hacienda system in Ecuador. Hearing about why he was interested in these topics—and why he felt archaeology was an efficacious method for exploring them—sparked an enduring personal interest in historical archaeology and relationships of power, resistance, and identity. On return from this trip, I became more involved with the community college’s local archaeological projects and picked up laboratory and survey skillsets which further served to bolster my interest in the subdiscipline.

Upon transferring to UC Santa Cruz for my undergraduate degree, I started to focus on archaeological courses, with a particular emphasis on historical archaeologies of indigenous communities and colonialism. While I remain strongly interested in these topics, the trajectory of my own research foci shifted somewhat when I became involved in excavations at two 19th century lime kilns on and nearby the UC Santa Cruz campus, leading me to begin engaging with historical archaeologies of labor, capitalism, and immigration. These themes ultimately structured my senior thesis project, in which I examined alcohol consumption between two industrial company-towns in Santa Cruz county in relation to diasporic identities and as a form of resistance to paternalistic social controls and class-based victorian moral expectations of temperance. Besides the narrow frame of alcohol consumption, these themes continue to shape my research aims; my current project seeks to understand how contexts of radicalized industrial labor and anti-asian exclusion movements shaped processes of identity formation among early North American Japanese communities in the 20th century.

Amber: During my time as an undergraduate at Texas State University, I changed my major several times before finding Anthropology. I started undergrad in the Interior Design program, explored majors in Math and Biology, and finally switched to Anthropology with the intention of doing archaeology in Greece and/or Egypt. My parents had a bookshelf in my childhood home full of old National Geographic and Discover magazines and I used to spend hours laying in the floor reading through them. There was one that I read repeatedly on ancient Egyptian mummies. This fascination encouraged me to explore a career in archaeology which eventually led to taking elective courses on forensic anthropology and forensic osteology. My forensic osteology class showed me how remains of the deceased can be used to answer questions about the living in past and present populations. I quickly realized that a career in Biological Anthropology was what I had been searching for: a fulfilling job that can provide services to others, a way to meld hard and social sciences, and…of course…travel.

I have had the opportunity to travel to Belize, Greece, Thailand, Colombia, England, and many states in the U.S. for work. If I had to choose my favorite project so far, I would say it is the Mississippi State Asylum project in Jackson, Mississippi. A total of 67 individuals in standardized pine coffins were uncovered during road construction on the University of Mississippi Medical Center campus. My master’s thesis examined differential health across inmate demographic groups using patterns of oral health indicators. I was interested in determining whether varying life histories influenced survivorship within the asylum environment and whether patients experienced differential treatment based on their sex or ancestry. We combined skeletal data with asylum written records to explore these questions. This sample was also compared to noninstitutionalized samples from the Southeastern U.S. to determine how health and mortality might be impacted by institutionalization. Being involved in the entire process of this project from excavation to data management, curation, and analysis was an invaluable and rare experience for a graduate student. I am very fortunate to have been involved and grateful to the patients and their families for allowing us to carry out this project. There is an ongoing effort to identify these individuals and return them to families for proper reburial.

Rhian: When I applied to UC Santa Barbara for undergrad, I only had a vague idea of what anthropology was – everything I knew came from tv shows or movies I had watched growing up (cue Indiana Jones, as typical as that may seem). In fact, I actually enrolled with the intention to get a degree in philosophy. However, when I took my first anthropology course, Intro to Biological Anthropology, during my first year I realized that all of the questions that intrigued me in philosophy, such as what makes us human, could be investigated in a more scientific, evolutionary framework. As I took more courses in anthropology and was introduced to osteology and the field’s forensic applications, my focus shifted – I realized that this was the path I wanted to take, as I loved how the applied aspect of forensic anthropology can make a difference to modern, local communities and bring closure to family members.

Following undergrad, I continued on to get a masters in forensic anthropology at Mercyhurst University, which helped further develop my passion for the field and for how we can work to refine identification methods. In fact, through my doctoral degree at MSU, I am to hoping to continue working with biological profile methods – specifically, I am hoping to investigate the utility of postcranial metrics for ancestry estimation, as this has received less attention in the field and needs better standardization. But, I love how the field of anthropology always has an open door policy and welcomes forensic students like me to engage in programs like Campus Archaeology with open arms. While I’m only in my first year at MSU, I look forward to these opportunities and how I can use my forensic experience to inform my CAP research and vice versa, which I know will make me a well-rounded and more prepared anthropologist during my career.

Jeff: Unlike a lot of archaeologists that I have worked with over the years, I was not introduced to the field at a young age. Even in college it did not immediately start out in anthropology. I matriculated into my university as an engineering major, and quickly switched to history after about a month. However, when I encountered the discipline in the second semester of my first year, I immediately fell in love. It was Introduction to Archaeology and because the class was taught by a Dr. Lauren Sullivan, a Mayanist, the major context of the class was of the history, peoples, and cultures of pre-colonial Mexico and central America. When Dr. Sullivan discussed her research and fieldwork, I felt that this was the engagement with the past that I had always longed for and which history had left unfulfilled. I also was awed by the stories of fieldwork in the jungle, so many stories about being chased up trees by wild boars!. Mostly though, I was amazed by the idea of touching and studying objects from the past, material culture. In this way, falling in love with seemingly exotic places, ancient civilizations, and thousand-year-old artifacts, my introduction to archaeology was typical.

Years later I find myself far more interested in the seemingly mundane, in the archaeology of the recent past in the United States. During my one and a half years in the PhD. program here at Michigan State University I have had the opportunity to work as an research assistant and intern cataloging, analyzing, and counting glass and ceramic vessels from two sites far more recent than the Mayan archaeology that I encountered in my undergraduate program. One site dates to the 1940s, barely older than my father, and on a daily basis I will encounter and become fascinated by spark plugs, jars of Vick’s VapoRub, and countless indiscriminate shards of colorless glass. I find myself losing time searching eBay, Etsy, and the Sears catalog to understand objects that are so frustratingly familiar, but just beyond my understanding. And when I do find out that that could be or the exact language to describe an object so the search engine will pull up pictures of it, I am probably far too pleased that I have identified a tobacco tin. The other site dates to the 1850s and while the artifacts are more typical – we have transfer printed pottery! – the artifacts came from field that was once an orchard and later soybean farm and these processes broke many of the artifacts into tiny fragments. I spend hours looking at thumb nail sized pieces of glass, pottery, and metal and while it is frustrating, I love it and again, feel a remarkable sense of joy when I identify the pattern on one of the tiny pieces. While my interests have changed over the years, I still am fascinated by material culture, the people who used and produced it people, and places they occupied, I just have a greater appreciation for how complex the seemingly mundane can be. 

CAP Lab Open House

CAP Lab Open House

Last Tuesday, November 12, 2019, Campus Archaeology hosted their first Open House. For two hours, Campus Archaeology opened our lab doors to the public. Campus Archaeology strives to have a standing relationship with the community through our numerous outreach events each year, as well as